{"id":2,"date":"2021-02-22T00:56:48","date_gmt":"2021-02-22T00:56:48","guid":{"rendered":"http:\/?page_id=2"},"modified":"2026-03-17T06:06:22","modified_gmt":"2026-03-17T06:06:22","slug":"sample-page","status":"publish","type":"page","link":"https:\/\/fragmes.fr\/","title":{"rendered":"A propos"},"content":{"rendered":"\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-990378a1 wp-block-group-is-layout-constrained\">\n<p><strong>La revue <em>Cons\u00e9quence<\/em><\/strong> publie un nouveau volume de po\u00e9sie et peinture, avec une carte blanche \u00e0 Rodrigue Marques de Souza, un cahier d\u00e9di\u00e9 \u00e0 Guy Viarre et des traductions de po\u00e9sie in\u00e9dite en fran\u00e7ais. Le volume, de 420 pages, contient une cinquantaine de reproductions de peintures de Rodrigue Marques de Souza, St\u00e9phanie Ferrat, Patrick Wateau, Prune Mateo et Philippe Guitton. <\/p>\n\n\n\n<p class=\"has-text-align-center\">L&rsquo;ensemble du volume renouvelle l&rsquo;hommage \u00e0 C\u00e9dric Demangeot du <a href=\"https:\/\/fragmes.fr\/?page_id=83\" data-type=\"page\" data-id=\"83\">volume pr\u00e9c\u00e9dent.<\/a><\/p>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-990378a1 wp-block-group-is-layout-constrained\">\n<p class=\"has-text-align-center has-medium-font-size\"><strong>Toute commande devra \u00eatre adress\u00e9e \u00e0 l&rsquo;association Fragmes, par voie postale \u00e0 l&rsquo;adresse 20 rue du Becquerel, 59370 Mons-en-Baroeul ou par mail \u00e0 fragmes.asso@outlook.com ou encore par le biais du r\u00e9seau social mastodon.<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:29% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/fr.ulule.com\/souscription-au-nouveau-volume-de-consequence\/\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"841\" src=\"https:\/\/fragmes.fr\/wp-content\/uploads\/2025\/12\/COUVERTURE-CSQ5-POUR-ULULE-2.png\" alt=\"La revue Cons\u00e9quence publie un nouveau volume de po\u00e9sie et peinture, avec une carte blanche \u00e0 Rodrigue Marques de Souza, un cahier d\u00e9di\u00e9 \u00e0 Guy Viarre et des traductions de po\u00e9sie in\u00e9dite en fran\u00e7ais. \nLe volume, de 420 pages, contient une cinquantaine de reproductions de peintures de Rodrigue Marques de Souza, St\u00e9phanie Ferrat, Patrick Wateau, Prune Mateo et Philippe Guitton.\nL'ensemble du volume renouvelle l'hommage \u00e0 C\u00e9dric Demangeot du volume pr\u00e9c\u00e9dent. \" class=\"wp-image-365 size-full\" srcset=\"https:\/\/fragmes.fr\/wp-content\/uploads\/2025\/12\/COUVERTURE-CSQ5-POUR-ULULE-2.png 640w, https:\/\/fragmes.fr\/wp-content\/uploads\/2025\/12\/COUVERTURE-CSQ5-POUR-ULULE-2-228x300.png 228w, https:\/\/fragmes.fr\/wp-content\/uploads\/2025\/12\/COUVERTURE-CSQ5-POUR-ULULE-2-600x788.png 600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile\" style=\"grid-template-columns:auto 48%\"><div class=\"wp-block-media-text__content\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<blockquote class=\"wp-block-quote is-style-default is-layout-flow wp-block-quote-is-layout-flow\">\n<p style=\"line-height:1.4\">\u00ab\u00a0L\u2019\u00e9criture exige des rochers qu\u2019elle dynamite, qu\u2019elle explose, qu\u2019elle fait m\u00e9taphysiques.<br>\u00a0<br>Il y a des rochers dans la langue et une vaste craie \u2013 la po\u00e9sie en les arr\u00eatant saute avec eux \u2013 et p\u00e8se de sa propre g\u00e9n\u00e9ration qui est son g\u00e9nie\u00a0\u00bb.<\/p>\n\n\n\n<p style=\"line-height:1.4\">Guy Viarre, <em>Du disparu [in\u00e9dit]<\/em><\/p>\n<\/blockquote>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\"><em>Patrick Wateau, peinture, \u00ab\u00a0Guy Viarre ou la vitesse d&rsquo;avance\u00a0\u00bb,, p. 168.&nbsp;<\/em><\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"615\" height=\"821\" src=\"https:\/\/fragmes.fr\/wp-content\/uploads\/2026\/03\/patrick-wateau-peinture-dans-consequence-5.XZbkpS6K3r.png\" alt=\"\" class=\"wp-image-419 size-full\" srcset=\"https:\/\/fragmes.fr\/wp-content\/uploads\/2026\/03\/patrick-wateau-peinture-dans-consequence-5.XZbkpS6K3r.png 615w, https:\/\/fragmes.fr\/wp-content\/uploads\/2026\/03\/patrick-wateau-peinture-dans-consequence-5.XZbkpS6K3r-225x300.png 225w, https:\/\/fragmes.fr\/wp-content\/uploads\/2026\/03\/patrick-wateau-peinture-dans-consequence-5.XZbkpS6K3r-300x400.png 300w, https:\/\/fragmes.fr\/wp-content\/uploads\/2026\/03\/patrick-wateau-peinture-dans-consequence-5.XZbkpS6K3r-600x801.png 600w\" sizes=\"auto, (max-width: 615px) 100vw, 615px\" \/><\/figure><\/div>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image aligncenter size-full is-resized has-custom-border\"><a href=\"https:\/\/fragmes.fr\/?page_id=83\"><img loading=\"lazy\" decoding=\"async\" width=\"526\" height=\"701\" src=\"https:\/\/fragmes.fr\/wp-content\/uploads\/2024\/05\/auteurscsq.jpg\" alt=\"\" class=\"has-border-color has-white-border-color wp-image-139\" style=\"border-radius:30px;width:347px;height:auto\" srcset=\"https:\/\/fragmes.fr\/wp-content\/uploads\/2024\/05\/auteurscsq.jpg 526w, https:\/\/fragmes.fr\/wp-content\/uploads\/2024\/05\/auteurscsq-225x300.jpg 225w, https:\/\/fragmes.fr\/wp-content\/uploads\/2024\/05\/auteurscsq-300x400.jpg 300w\" sizes=\"auto, (max-width: 526px) 100vw, 526px\" \/><\/a><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/fragmes.fr\/?page_id=83\" data-type=\"page\" data-id=\"83\">Revue Cons\u00e9quence<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image aligncenter size-full is-resized has-custom-border\"><a href=\"https:\/\/fragmes.fr\/?page_id=75\"><img loading=\"lazy\" decoding=\"async\" width=\"526\" height=\"701\" src=\"https:\/\/fragmes.fr\/wp-content\/uploads\/2024\/05\/consequencefissile.jpg\" alt=\"\" class=\"has-border-color has-white-border-color wp-image-146\" style=\"border-radius:30px;width:344px;height:auto\" srcset=\"https:\/\/fragmes.fr\/wp-content\/uploads\/2024\/05\/consequencefissile.jpg 526w, https:\/\/fragmes.fr\/wp-content\/uploads\/2024\/05\/consequencefissile-225x300.jpg 225w, https:\/\/fragmes.fr\/wp-content\/uploads\/2024\/05\/consequencefissile-300x400.jpg 300w\" sizes=\"auto, (max-width: 526px) 100vw, 526px\" \/><\/a><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/fragmes.fr\/?page_id=75\" data-type=\"page\" data-id=\"75\">Nos publications<\/a><\/figcaption><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>La revue Cons\u00e9quence publie un nouveau volume de po\u00e9sie et peinture, avec une carte blanche \u00e0 Rodrigue Marques de Souza, un cahier d\u00e9di\u00e9 \u00e0 Guy Viarre et des traductions de po\u00e9sie in\u00e9dite en fran\u00e7ais. Le volume, de 420 pages, contient une cinquantaine de reproductions de peintures de Rodrigue Marques de Souza, St\u00e9phanie Ferrat, Patrick Wateau, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/fragmes.fr\/index.php?rest_route=\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmes.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fragmes.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fragmes.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmes.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2"}],"version-history":[{"count":56,"href":"https:\/\/fragmes.fr\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":439,"href":"https:\/\/fragmes.fr\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions\/439"}],"wp:attachment":[{"href":"https:\/\/fragmes.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}