{"id":83,"date":"2024-05-18T23:57:48","date_gmt":"2024-05-18T23:57:48","guid":{"rendered":"https:\/\/fragmes.fr\/?page_id=83"},"modified":"2026-03-17T04:07:02","modified_gmt":"2026-03-17T04:07:02","slug":"revue-consequence","status":"publish","type":"page","link":"https:\/\/fragmes.fr\/?page_id=83","title":{"rendered":"Revue Cons\u00e9quence"},"content":{"rendered":"\n
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Tous les num\u00e9ros disponibles <\/p>\n\n\n\n

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Cons\u00e9quence n\u00b04 – C\u00e9dric Demangeot<\/a><\/h2>\n\n\n
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Hors-Collection, 2023, 416 pages, 36 \u20ac<\/p>\n\n\n\n

\"Cons\u00e9quence<\/a><\/figure><\/div>\n\n\n\n
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Olivier Cabi\u00e8re \u00b7 Un pied ici un pied l\u00e0<\/em> \u00b7<\/p>\n\n\n\n

C\u00e9dric demangeot \u00b7 Intimit\u00e9 du vide<\/em> \u00b7<\/p>\n\n\n\n

Esther Tellermann \u00b7 Un trait s\u00e9pare<\/em> \u00b7<\/p>\n\n\n\n

Rodrigue Marques de Souza \/ Philippe Guitton \u00b7 <\/a>D\u2019armes<\/em> \u00b7<\/p>\n\n\n\n

Billy Dranty \u00b7 Cancre jusque<\/em> \u00b7<\/p>\n\n\n\n

Dominique Qu\u00e9len \u00b7 Fr\u00e8re \u00e0 l\u2019\u00e9paule<\/em> \u00b7<\/p>\n\n\n\n

St\u00e9phanie Ferrat \u00b7 Pour C., peintures<\/em> \u00b7<\/p>\n\n\n\n

C\u00e9dric Demangeot \u00b7 Fragments de la fourrure de blanche-neige<\/em> \u00b7<\/p>\n\n\n\n

Ena Lindenbaur \u00b7 Sans titre, peintures<\/em> \u00b7<\/p>\n\n\n\n

Alain Hob\u00e9 \u00b7 Autant que d\u00e9faire se peut la mort<\/em> \u00b7<\/p>\n\n\n\n

Jean-Baptiste de Seynes \u00b7 L\u2019\u00eele qu\u2019est soi ? o\u00f9 chantent les &<\/em> \u00b7<\/p>\n\n\n\n

Fran\u00e7ois Z\u00e9none \u00b7 Pr\u00e9l\u00e8vements<\/em> \u00b7<\/p>\n\n\n\n

Paul Paborde \u00b7 Contre la m\u00e9moire & Po\u00e9sie z\u00e9ro<\/em> \u00b7<\/p>\n\n\n\n

Lambert Barth\u00e9l\u00e9my \u00b7 Poste restante<\/em> \u00b7<\/p>\n\n\n\n

S\u00e9bastien Ho\u00ebt \u00b7 Un jour apr\u00e8s l\u2019enfer (diptyque)<\/em> \u00b7<\/p>\n\n\n\n

Victor Martinez \u00b7 Soleil t\u00e9moin<\/em> \u00b7<\/p>\n\n\n\n

Jean-Paul H\u00e9raud \u00b7 Sans titre, peintures<\/em> \u00b7<\/p>\n\n\n\n

Alexandre Battaglia \u00b7 Aller \u00e0 l\u2019homme<\/em> \u00b7<\/p>\n\n\n\n

Rafael Garido \u00b7 \u00ab Fou \u00e0 Paris et saint d\u2019esprit en Guin\u00e9e \u00bb \u2013 Leopoldo Mar\u00eda Panero, ou l\u2019irr\u00e9ductible chant de la ch\u00e8vre<\/em> \u00b7<\/p>\n\n\n\n

Thomas Pesle \u00b7 Echouages<\/em> \u00b7<\/p>\n\n\n\n

Richard Weiner, traduit par Erika Abrams \u00b7 La voix au t\u00e9l\u00e9phone<\/em> \u00b7<\/p>\n\n\n\n

Hugo Hengl \u00b7 D\u00e9positoire<\/em> \u00b7<\/p>\n\n\n\n

Brian Delaney \u00b7 Burn it all down<\/em> \u00b7<\/p>\n\n\n\n

Alexandre Gouttard \u00b7 Humanit\u00e9<\/em> \u00b7<\/p>\n\n\n\n

J\u00e9r\u00f4me Th\u00e9lot \u00b7 L\u00e9gende de la parole<\/em> \u00b7<\/p>\n\n\n\n

Prune Mateo \u00b7 Sous nos paupi\u00e8res<\/em> \u00b7<\/p>\n\n\n\n

Andy S\u00e9n\u00e9gas \u00b7 caillasse<\/em> \u00b7<\/p>\n\n\n\n

petr zavadil \u00b7 Zone maigre<\/em> \u00b7<\/p>\n\n\n\n

Jean-Claude Schneider \u00b7 Claque et craque<\/em> \u00b7<\/p>\n\n\n\n

Bohdan Chl\u00edbec, traduit par Petr Zavadil \u00b7 St\u00e9r\u00e9o<\/em> \u00b7<\/p>\n\n\n\n

C\u00e9dric Demangeot \/ Magali Latil \u00b7 Donn\u00e9 pour poussi\u00e8re<\/em> \u00b7<\/p>\n\n\n\n

\u00ab & hop \u00bb<\/p>\n\n\n\n

notes<\/p>\n\n\n\n

Bibliographie de C\u00e9dric demangeot<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Cons\u00e9quence n\u00b03<\/a><\/h2>\n\n\n

2019, 184 pages, 20,00 \u20ac<\/p>\n\n\n\n

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Edito \u00b7 Etre la r\u00e9volution<\/em> \u00b7<\/p>\n\n\n\n

\u00b7 FAIRE \u00b7<\/strong><\/p>\n\n\n\n

Hugo Hengl \u00b7 Arri\u00e8re-propos<\/em> \u00b7<\/p>\n\n\n\n

Germaine de Sta\u00ebl \u00b7 Le m\u00eame visage<\/em> \u00b7<\/p>\n\n\n\n

Andr\u00e9 du Bouchet \u00b7 De l\u2019\u00e9tranger, de la langue<\/em> \u00b7<\/p>\n\n\n\n

Dolores Dorantes \u00b7 Copie 1 & 2<\/em> \u00b7<\/p>\n\n\n\n

C\u00e9dric Demangeot \u00b7 Erratum <\/em>\u00b7 Promenade & guerre<\/em> \u00b7<\/p>\n\n\n\n

Montserrat Alvarez \u00b7 Dark zone & autres po\u00e8mes <\/em>\u00b7<\/p>\n\n\n\n

Ianka Diaghileva \u00b7 Nous vivrons<\/em> \u00b7<\/p>\n\n\n\n

Christine Lavant \u00b7 Oiseau-soleil<\/em> \u00b7 Abats ta glaise <\/em>\u00b7<\/p>\n\n\n\n

Victor Martinez \u00b7 D\u00e9truite enfance <\/em>\u00b7<\/p>\n\n\n\n

Mathieu B\u00e9n\u00e9zet \u00b7 Po\u00e8mes <\/em>\u00b7<\/p>\n\n\n\n

Jan Z\u00e1brana \u00b7 Le mur des souvenirs <\/em>\u00b7<\/p>\n\n\n\n

Avot Yeshurun \u00b7 Po\u00e8mes <\/em>\u00b7<\/p>\n\n\n\n

Leopoldo Mar\u00eda Panero \u00b7 O\u00f9 meurt un homme <\/em>\u00b7<\/p>\n\n\n\n

\u00b7 ESSAYER \u00b7<\/strong><\/p>\n\n\n\n

Jean-Michel Reynard & Andr\u00e9 du Bouchet \u00b7 Trois lettres <\/em>\u00b7<\/p>\n\n\n\n

Victor Martinez \u00b7 Dire une seule fois la v\u00e9rit\u00e9 <\/em>\u00b7<\/p>\n\n\n\n

Paul Laborde \u00b7 Que faire si le grand capital verse du LSD dans nos r\u00e9serves d\u2019eaux <\/em>\u00b7<\/p>\n\n\n\n

\u00b7 L\u2019hypoth\u00e8se scientifique <\/em>\u00b7<\/p>\n\n\n\n

\u00b7 NOTES \u00b7<\/strong><\/p>\n\n\n\n

\u00b7 PARCELLES<\/s> \u00b7<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Cons\u00e9quence n\u00b02<\/a><\/h2>\n\n\n

2017, 214 pages, 23 \u20ac<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n
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Andr\u00e9 du Bouchet \u00b7 La mort est \u00e0 mettre au monde <\/em>\u00b7<\/p>\n\n\n\n

\u00b7 SENTINELLE DE LA NEIGE \u00b7<\/strong><\/p>\n\n\n\n

Antonio Gamoneda \u00b7 Sentinelle de la neige<\/em> \u00b7<\/p>\n\n\n\n

S\u00e9bastien Ho\u00ebt \u00b7 Un royaume <\/em>\u00b7<\/p>\n\n\n\n

Bohdan Chl\u00edbec \u00b7 Une cour en hiver <\/em>\u00b7<\/p>\n\n\n\n

Choman Hardi \u00b7 A propos d\u2019Anfal<\/em> \u00b7<\/p>\n\n\n\n

L\u2019abri Tipton \u00b7 Calais Postcards <\/em>\u00b7<\/p>\n\n\n\n

Dolores Dorantes \u00b7 Copia <\/em>\u00b7<\/p>\n\n\n\n

Susana Ch\u00e1vez \u00b7 Corps d\u00e9serts<\/em> \u00b7<\/p>\n\n\n\n

\u00b7 ALLONS PLUS BAS \u00b7<\/strong><\/p>\n\n\n\n

Prune Mateo \u00b7 Les jours obscurs<\/em> \u00b7<\/p>\n\n\n\n

St\u00e9phanie Ferrat \u00b7 Je ne dirai plus rien que ton ombre <\/em>\u00b7<\/p>\n\n\n\n

Esther Tellermann \u00b7 Allons plus bas <\/em>\u00b7<\/p>\n\n\n\n

Guy Viarre \u00b7 Toute la nuit en micropointe<\/em> \u00b7<\/p>\n\n\n\n

C\u00e9dric Demangeot \u00b7 El\u00e9ments de sabotage passif <\/em>\u00b7<\/p>\n\n\n\n

Bernard No\u00ebl \u00b7 Tombeau de Lunven <\/em>\u00b7<\/p>\n\n\n\n

Jean-Claude Schneider \u00b7 Pour pluie de pollen <\/em>\u00b7<\/p>\n\n\n\n

\u00b7 PO\u00c8MES PAS D\u2019AMOUR \u00b7<\/strong><\/p>\n\n\n\n

Rodrigue Marques de Souza \u00b7 Le savoir dans l\u2019oubli <\/em>\u00b7<\/p>\n\n\n\n

Elke de Rijcke \u00b7 Juin sur avril <\/em>\u00b7<\/p>\n\n\n\n

Leopoldo Mar\u00eda Panero \u00b7 Peter punk <\/em>\u00b7<\/p>\n\n\n\n

Alexandre Gouttard \u00b7 (Ne se pourrait-il pas qu\u2019il y e\u00fbt\u2026<\/em> \u00b7<\/p>\n\n\n\n

Julien Ladegaillerie \u00b7 Pliures <\/em>\u00b7<\/p>\n\n\n\n

Billy Dranty \u00b7 Ruptoire (I & II)<\/em><\/p>\n\n\n\n

David Huguet \u00b7 La rose insuffisante <\/em>\u00b7<\/p>\n\n\n\n

\u00b7 NOTICES \u00b7 PARCELLES \u00b7 LIVRES \u00b7 MUSIQUES \u00b7 FILMS \u00b7<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Cons\u00e9quence n\u00b01<\/a><\/h2>\n\n\n

2015, 20,00 \u20ac<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n
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Paul Laborde \u00b7 Ouverture<\/em> \u00b7<\/p>\n\n\n\n

Jean-Luc Nancy \u00b7 M\u00e9thode et vertige<\/em> \u00b7<\/p>\n\n\n\n

Alain Badiou \u00b7 On ne passe pas<\/em> \u00b7<\/p>\n\n\n\n

Jacques Ranci\u00e8re \u00b7 La paraphrase<\/em> \u00b7<\/p>\n\n\n\n

Renaud Barbaras \u00b7 L\u2019\u00e9criture de la s\u00e9paration<\/em> \u00b7<\/p>\n\n\n\n

Peter Simons \u00b7 Philosophical method without the linguistic turn<\/em> \u00b7<\/p>\n\n\n\n

Jean-Clet Martin \u00b7 Aventure d\u2019id\u00e9es<\/em> \u00b7<\/p>\n\n\n\n

Fran\u00e7ois Zourabichvili  \u00b7 … La volont\u00e9 de puissance comme principe plastique<\/em> \u00b7<\/p>\n\n\n\n

\u00b7 ENTRETIENS <\/strong>\u00b7<\/p>\n\n\n\n

Simon Critchley
Alvin Lucier
Steven R. Smith
Kevin Drumm & Aaron Dilloway<\/p>\n<\/div>\n<\/div>\n\n\n\n

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<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Tous les num\u00e9ros disponibles<\/p>\n","protected":false},"author":1,"featured_media":30,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-83","page","type-page","status-publish","has-post-thumbnail","hentry"],"blocksy_meta":{"page_structure_type":"default","disable_featured_image":"no","styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":6}},"_links":{"self":[{"href":"https:\/\/fragmes.fr\/index.php?rest_route=\/wp\/v2\/pages\/83","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmes.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fragmes.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fragmes.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmes.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=83"}],"version-history":[{"count":74,"href":"https:\/\/fragmes.fr\/index.php?rest_route=\/wp\/v2\/pages\/83\/revisions"}],"predecessor-version":[{"id":408,"href":"https:\/\/fragmes.fr\/index.php?rest_route=\/wp\/v2\/pages\/83\/revisions\/408"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmes.fr\/index.php?rest_route=\/wp\/v2\/media\/30"}],"wp:attachment":[{"href":"https:\/\/fragmes.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=83"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}